Much controversy has been raised over the recent decision by Dr. Seuss Enterprises to discontinue publishing 6 of its books due to racist representations. I applaud their reevaluation of the content and commend them for taking action. Some however feel that this a part of an overblown “cancel culture” or obsession with race. I reflectedContinue reading ““My Country”: The Creation of a White Aesthetic in American Children’s Books and Curtis Mayfield’s Response”
With the recent reevaluation of racist images throughout American culture, from confederate statues to Aunt Jemina syrup and Uncle Ben’s rice, I took a look in my own closet to see what racist ghosts might still live. When I first graduated from college and got my first real job in Chicago, I set out to establish a professional business wardrobe. Like most young professionals, I wanted something that would set me apart with a certain sense of style. I thought — what’s more stylish than Brooks Brothers. The oldest clothing brand in the United States that’s outfitted presidents (Lincoln wore a Brooks Brothers suit to Ford Theatre the night he was assassinated and Barack Obama frequently stepped out in their brand – Figure 1). Brooks Brothers defined the look of diplomats and millionaires for generations, so of course I wanted that look. I later found however that the ageless style I was seeking was built on another tradition in American vogue — racism and slavery.